Caught in Information, 2019, 180 x 290 cm, screenprint on canvas
"Images contaminate us like viruses" - Paul Virilio
The mechanisms of digitization, it’s virtual overstimulation and the permanent simultaneity, are related to our new interpretation of time. The huge flood of images in our everyday reality contains scrolling through e-mails or social media feeds, receiving many text messages, or the constant retrieval of news on the Internet, just to name a few indicators of how information comes into our lives today. This stimulus satiation is so massive and permanent that it makes us feel like being contaminated. Due to this huge amount of images, the concentration on a specific image is becoming less and less. Instead of focusing on a certain picture or information, you get a broad overview of many contents. So you do not reach the real depth of the subject or image. Lion Mayer refers to these ideas & topics in his digital paintings.
To interrupt the chronology of the stimulus delivery, the artist has created several Screenshots. Here the screenshot serves as a moment of Standstill in an over-dynamic time. Due to this standstill, feedback of the stimuli takes place, because the collected image material is modified and then used as the basis for digital paintings.
Thus, with the information and stimuli of everyday life, new paintings are generated, which are translated into encoded visual handwriting, which can only be deciphered through intensive and active perception. The works represent our understanding of time, in this fast and overwhelmingly dense society. The invested time and concentration on a complex picture functions as an antipole to the superficial absorption of stimuli.
errrot-p1SF1, 2020, 120 cm x 180 cm, inkjet print on alu-dibond
errrot-p1SF2, 2020, 120 cm x 180 cm, inkjet print on alu-dibond
Lion Mayer (*1998 in Munich) is an artist and photographer who lives and works in Leipzig. He studies at the Academy of Fine Arts Leipzig.