What influenced your drawings for Der Himmelblaue Speck”? Where did Sorokin come in? And how did you confront his work?

The cross printed book pages were more of a conceptual decision. I haven’t yet fully implemented the book as a literal foundation for my work. Normally I don’t do any project sketches or outlines. Only more generally associated materials which I move around on tables or on the ground. Since the exhibit is entirely virtual, and I don’t have these tools on hand, I wasn’t quite sure how to go about it. Then I realized that the printing approach would integrate the novel directly into the texture of my work and create a long-lasting visual connection to the original piece. Continuing down this path, merging fragments of Sorokin’s work with my own, has brought me great joy and creative fulfillment.

Read the full interview with Marcel Hiller here

DHS overprints, 439 pages
Eco inkjet print on book page
21,6 x 13,5 cm